Best Dolby Atmos Soundbar 2024: Elevate your TV sound

The Sennheiser Ambeo Max soundbar is one of the best soundbars on the market, although its performance comes at a significant hit to the wallet and an asking price of over two grand.

Much like the price, the Ambeo soundbar doesn’t offer compromises in its design, stretching to over a metre long, which means you will need space to accommodate it. At 18.5kg it’s a heavy beast, heavier than 12kg Devialet Dione, a soundbar we already felt was pretty heavy.

It’s one of few all-in-one soundbars we’ve found live up to the claim of immersive audio, placing effects above, to the side and even behind our sitting position for a fantastically involving and engaging performance. There’s a powerful sense of bass for a soundbar that doesn’t come with a subwoofer (though you can add one through the wired connection), and it paints a soundstage with plenty of depth and detail. You’ll want to make sure the Ambeo processing is switched on, as without it we found the bar’s performance lost a sense of depth and height.

As well as supporting Dolby Atmos, there’s support for DTS:X and the lesser supported MPEG-H, which offers choice of home cinema enthusiasts to hear their physical media collection in immersive sound. The range of connectivity is also good, with three HDMI inputs (for plugging to the TV as well adding sources), aux-in, digital optical out along side Bluetooth 4.2 and Google Chromecast.

The Sennheiser is a soundbar that offers thrilling sound and plays all types of content. If you don’t have space for a surround sound system, the Ambeo would make for a good alternative that takes up less space. Even after a few years on the market, we still rate it as our favourite Atmos soundbar.

Reviewer: Steve May
Full Review: Sennheiser Ambeo Soundbar Max

A wireless soundbar system takes up less space and offers the benefit of leaving no wires trailing across the floor. So if you’re looking to set up a Dolby Atmos wireless system in your living, one of the best current options is Samsung’s HW-Q990C.

Like the Q990B, you get a main soundbar, subwoofer and two rear speakers, now with upwards and side-firing speakers to deliver a wall of sound behind your seating position. This ends up creating a soundstage that’s outstandingly cohesive and balanced in the words of our reviewer. The rear and height channels are eager to get involved, contributing to a fantastically formed and immersive soundscape.

The scale of Dolby Atmos and DTS:X tracks is enormous, the subwoofer hits hard and deep but is also nimble, while it soundbar system can reach high levels of volume without distortion.

For those who have Samsung TVs, Q-Symphony support joins the soundbar’s speakers to the TV speakers for a even bigger soundstage. Alexa voice recognition is supported too, though our reviewer was disappointed by the lack of 4K 120Hz support. Rival bars such as the LG S95QR support this feature, although it can’t pass a HDR signal at the same time.

The Q990C does sound more musical with music sources, though we found you have to be careful where the subwoofer is positioned. With stereo audio the bass can sound a little muddy, but switching to the soundbar’s Adaptive mode can help in this instance by widening the sound.

The Q990D has made itself know to the soundbar market, and we’ll be looking to review it sooner rather than later.

Reviewer: John Archer
Full Review: Samsung HW-Q990C

Samsung HW-Q800C

Best mid-range Dolby Atmos soundbar

Trusted Score

Pros

• Big, powerful audio performance
• Excellent dialogue reproduction
• Muscular but controlled bass performance
• Good with music

Cons

• No Chromecast support
• A little too close to HW-Q930C in price

Samsung has hit something of a streak with its recent soundbars. The Q990C is a five-star effort followed by the Q800C mid-range model that offers fantastic performance at a more affordable price of £849 / $849.

It carries the same look and design as the Q800C, and is best suited to being partnered with TVs that 55-inches or bigger. You get a HDMI input to plug in a source, and there’s various means of streaming to the soundbar wirelessly through Spotify Connect, Bluetooth, AirPlay 2, and Wi-Fi casting, although strangely there is no Chromecast support, despite the step-down Q700C featuring it.

The Q800C’s audio expansive is expansive and tall. Though it doesn’t come with any rear speakers, it does take advantage of its rear and upward-firing speakers to deliver a sound that’s easily bigger than the TV it’s partnered with. The reproduction of dialogue is excellent, able to clear up difficult to hear conversations in the likes of Dune and Tenet with ease. It sense of dynamism is great, jumping from quiet to loud effectively; and bass is big and well integrated into the frequency range, the subwoofer delivering a punchy, deep but controlled performance.

With music we found the soundbar to be an assured performer with Spotify Connect streams crisp, clear, and detailed. The performance over Bluetooth is not too shabby either, though we’ve found there’s more detail and sharpness to be gained from using the Adaptive mode. We would suggest not pushing the volume past 30, which is loud enough as it is with this bar, though we found that listening to movies/music above that volume can lead to it becoming a little too bassy.

Reviewer: Kob Monney
Full Review: Samsung HW-Q800C

For those that don’t want to pay over the odds for a Dolby Atmos soundbar but still want a high quality experience, then the midrange HW-Q700B serves as an excellent option. When we reviewed it was priced at $699 / £699, but it’s fallen even further to less than £400 to make it an unmissable purchase.

Compared to the HW-Q800B, it has far fewer channels at its disposal with 3.1.2 system. We found it be excellent for dialogue clarity, making it easy to follow what’s being said by characters even in busy action sequences. Its sense of Atmos is convincing, a film such as Netflix’s The Gray Man benefits from the soundstage being expanded.

We did find caveats to note. There are no rear speakers like you’d get with the HW-Q990B (although you can upgrade to add a wireless rear speaker package to this bar), and the lack of side-firing speakers for additional reflectivity of sound in a room does make the Q700B very left/centre/right focused.

The crossover point between the main bar and the subwoofer is well done, with the sub putting in a punchy, hard-hitting performance, though it doesn’t the biggest sense of depth and extension.

It is DTS:X compatible and also comes with an HDMI input that supports 4K HDR passthrough if you want to plug a source directly into the bar. If you have a compatible Samsung TV, the Q Symphony feature allows the soundbar to work in tandem with the TV’s speakers to deliver a bigger sound and our reviewer very much the implementation of Q Symphony on this soundbar.

Its fall in price makes it more affordable than the Sonos Beam Gen 2 and Polk Signa S4, and you also get a subwoofer thrown in for good measure. It has been replaced by the Q700C, though that is a more expensive option.

Reviewer: Steve May
Full Review: Samsung HW-Q700B

If you’re not willing to part with the cash (or the size) of the Ambeo Max, there are plenty of capable Dolby Atmos soundbars for less than $1500 / £1500, of which the Sony HT-A7000 is one of our favourites.

Capable of a 7.1.2 channel set-up with Atmos, the A7000 presented a tall and wide soundstage that’s bigger than you’d get from a stereo soundbar. The Vertical Surround Engine along with the upfiring drivers help produce a detailed ‘height’ performance with lots of clarity. Its tone is crisp, which helps to extract lots of detail from film soundtracks, as well as a sharpness that presents the likes of action films with plenty of sonic attack and punch.

Sony’s claims of virtual surround sound didn’t convince us much, but the A7000’s sound is better optimised in a room with walls or surfaces it can bounce sounds off, which is not an environment our testing rooms had at the time of review.

Along with its convincing performance with movies, the HT-A7000 also performed well when we put music on with a punchy low end, natural reproduction of the mid-range and sharp highs. We’d suggest putting the soundbar into its Cinema mode rather Music, as that elicits a smoother vocal performance.

Connectivity is wide-ranging with a couple of HDMI inputs to plug sources into for home cinema fans, and plenty of means to fire wireless audio at the bar with AirPlay 2, Bluetooth 5, Spotify Connect and a Google Chromecast built in, as well as support for Hi-Res Audio with DSD and the wireless LDAC format. There is the ability to add rear speakers and a subwoofer to create a proper surround sound performance but that adds considerable cost to the Sony’s original asking price.

Compared to other soundbars, the A7000’s mix of various materials (glass top surface and felt, among others), might be considered divisive but we liked it. Like other all-in-one soundbars such as the Sennheiser Ambeo Max and Devialet Dione, this is quite a wide effort to accommodate on a stand or piece of furniture, and we’d recommend partnering the HT-A7000 with a telly that’s 55-inches or bigger.

Reviewer: Kob Monney
Full review: Sony HT-A7000

There are more ‘affordable’ Dolby Atmos soundbars out there that you can get for less than $1000 / £1000, but in terms of performance we’d rate the Sonos Arc as the best choice over the Bowers & Wilkins Panorama 3.

The Arc was the first time Sonos took a crack at Dolby Atmos, and we found it did the technology justice, describing a soundstage width plenty of width and height for an expansive Atmos presentation. It’s also a bar that presents soundtracks with plenty of detail, as well as offering good control of higher frequencies for a balanced tone.

However, our reviewer did find issues with how it handled the transition between the lows and mids, which wasn’t the most fluid and that lead to a performance that wasn’t as cohesive as we’d have liked. While it also handles music well, the same issue between the midrange and lower frequencies could be heard in a more obvious manner.

Connectivity is decent with HDMI eARC (you will need a TV that supports eARC to get the most from this bar), with an Ethernet for wired connection to the internet but no HDMI inputs (which is a disappointment). There’s more variety in the Arc’s wireless options with Wi-Fi bringing access to the Sonos S2 app that allows the Arc to join other Sonos speakers in a multi-room system (you can also do the same with AirPlay 2).

The S2 app features access to Spotify, Tidal, Deezer, and Qobuz among others to cater for your music needs, while those with an iOS device can take advantage of Trueplay that optimises the performance of the Arc to suit any room. For those already within the Sonos ecosystem, the Arc makes sense if you’re interested in levelling up your TV audio with Atmos, and it’s capable at handling music too. If the Arc is too big and you need something smaller, then Sonos already has a prospective buy in mind for that…

Rumour has it that there is a Sonos Arc 2 in the wings, so if you were looking at this soundbar, you may want to hold off for a few more months.

Reviewer: Simon Lucas
Full review:  Sonos Arc

The common design aspect of Dolby Atmos soundbars featured in this list is that they are big. But in the Sonos Beam (Gen 2) is a soundbar that’s suited to fitting smaller spaces.

It has gone up in price to £499 / $499. If that’s too dear, there are a number of alternatives in the compact bar market such as the Polk MagniFi Mini AX and Samsung HW-S61B.

There are subtle design tweaks from the original that bring it in line with the more modern look of the Arc soundbar, but in terms of size it’s only little smaller. While the Arc is best suited to TVs 55-inches or bigger, the Beam Gen 2 works best with TV’s up to 49-inches. We found the Beam is really for smaller rooms, while the Arc is there if you have a bigger living room/space.

More tweaks come in the form of eARC support where the original featured HDMI ARC, while the rest of the physical connection options remains the same with a bundled optical adapter for connection to TVs without a HDMI input.

While the eARC port allows for Atmos, the Wi-Fi adds a roster of streaming services and features as long as your arm through the Sonos S2 app. If you’re already in the Sonos fold, you can add the Beam to a multi-room setup of speakers, call up Google Assistant and Amazon Alexa digital assistants and initiate Trueplay (with an iOS device) that equalises the Beam’s sound to match the acoustics of the environment it is in.

For its relatively small size, we found the Beam to sound exceptionally good. Its Dolby Atmos performance doesn’t make use of upfiring speakers but through digital processing, so while when we watched Captain Marvel from Disney+ in Atmos the dimensionality present in the Arc wasn’t as strongly felt, it’s still a good performance overall.

For a compact bar we felt the Beam (Gen 2) offered up some solid bass performance, and while it doesn’t have as much range as the Arc due to its slightly more compressed sound, we did feel that it’s audio performance on the whole was balanced. It also impressed us with its handling of music, too, dealing with bass without causing distortion, and handles the more subtle stuff with a good level of nuance and delicacy. As means of getting Atmos into the home, the Sonos Beam Gen 2 is a great way of doing so.

Reviewer: David Ludlow
Full Review: Sonos Beam Gen 2

Compact soundbars have become very popular purchase in recent years as customers with relatively space can still upgrade their TV sound without having to pair them with a massive sound system. And in our opinion, the Samsung HW-S61B is one of the better options if you’re not looking to spend much.

It was priced to rival the likes of the Sonos Beam and Bose Smart Soundbar 600, but it’s had a string of price cuts to bring it to less than £300, and in our minds that makes the S61B a bargain buy.

Its audio performance is crisp, clear and punchy, along with detailed and spacious for a compact bar. It offers plenty of energy and outright attack that easily betters anything a TV can produce. Its built-in subwoofer produces a punchy performance, adding impact to action scenes. With Atmos content, the soundstage is projected up and to the sides; much bigger than the dimensions of the bar and TV it’s partnered with, producing plenty of size and scale to go with Hollywood blockbusters.

It doesn’t project its sounds into a room, so the soundstage it describes is still a fairly flat one that sits in front of the viewer. Nevertheless, it’s sense of dynamism and intensity that it can bring to the table makes for a consistently engaging listen. It’s not a speaker that needs to be firing on all cylinders to grab the attention either, able to communicate the subtlety and detail of quieter scenes in an immersive way too.

It’s pretty solid performer with music content whether it’s sent to the S61B over Wi-Fi or Bluetooth, though the former produces a clearer, more detailed performance. The lack of HDMI eARC is a disappointment as it means you won’t be getting the highest quality Dolby Atmos sound possible, and we’re not big fans of the design when it comes to placement of the LED screen. We can barely see it at the best of times given how small it is.

There are other options in the market if you are looking for a soundbar and subwoofer combo, most notably the Polk MagniFi Mini AX, but its Atmos performance isn’t as convincing as the Samsung.

Reviewer: Kob Monney
Full review: Samsung HW-S61B